Concert at 8 pm; Pre-concert lecture at 7 pm; Gala reception following concert
The Church of St. Ignatius of Antioch, 552 West End Avenue, New York, NY 10024
Church entrance is on West 87th Street
$25 – General Admission; $15 - Students & Seniors & Early Music America (EMA) Members
Performers:
John Bradley - Director
Natasha Badillo, Rachel Bazaz, Kristin Luchtman, Nancy Temple - Soprano
Ann Berkhausen, Johanna Bronk, June Severino Feldman - Alto
Warren Blyden, Paul Nelson, John Shumway, Wayne Wright - Tenor
Dan Cook, James Middleton, Michael Peppard - Bass
Program:
This November, Polyhymnia celebrates 15 years of music-making: From the ensemble’s humble beginnings in the West Village to artistic triumphs at venues in the world beyond New York, certain pieces have gained a special place in their hearts. Join them for an evening of music chosen by the performers as their favorites, drawn from our concerts over the years and titled in honor of the group’s namesake, Polyhymnia, the ancient Greek patroness of sacred music. From the tender intimacy of Victoria’s beloved O magnum mysterium and the sensual elegance of Clemens Non Papa’s Ego flos campi to the splendid profusion of Tallis’ Loquebantur variis linguis, Polyhymnia offers a musical feast of Renaissance masterpieces.
A proper feast follows the concert-- a Gala Reception in honor of Polymnia’s fifteenth anniversary!
Loquebantur variis linguis Thomas Tallis (1505-1585)
If ye love me Tallis
Sing Joyfully William Byrd (1540-1623)
Eterne laudis lilium Robert Fayrfax (1464-1521)
Regina Coeli Pierre de Manchicourt (c. 1510-1564)
Ego flos campi Jacobus Clemens non Papa(c. 1510-1556)
Magi veniunt Clemens non Papa
Tota Pulchra Nicolas Gombert (c.1495-1560)
Pater peccavi Thomas Crecquillon (c.1505-1557)
Intermission
Victimae paschali laudes Adrian Willaert (c. 1490-1562)
O quam suavis est Giovanni Gabrieli (1544-1612)
Angeli, archangeli Heinrich Isaac (c. 1450-1517)
Tota pulchra Francisco Guerrero (1528-1599)
O Magnum mysterium Tomás Luis de Victoria (1548 -1611)
Ave Regina Caelorum Juan Gutierrez de Padilla (c.1590-1664)
Regina Caeli Gombert
About the Ensemble:
Polyhymnia is a small ensemble of singers and instrumentalists focusing on historically informed performance of sacred music from the courts and cathedrals of the Renaissance world. The singers that comprise the ensemble are drawn from many sources, including some of the finest church choirs in New York. Past and present members have sung with Saint Thomas Fifth Avenue, Saint Ignatius of Antioch, Saint Luke in the Fields and Holy Apostles. Originally artists-in-residence at Saint John’s in
the Village, the ensemble moved to its current home at Saint Ignatius of Antioch in 2003, when the ensemble and its audience outgrew its original home.
Currently producing three concerts a year in New York, Polyhymnia has also made a name for itself at performances in Boston as a popular entry in the Boston Early Music Festival fringe events, and has
been the guest choir at a number of special events, most notably the centenary celebrations of Holy Cross Monastery, in Westpark, NY.
Since 2000, director John Bradley has been creating original editions of music for the ensemble, some of it secreted in manuscript collections since the 16th-century. Working in concert with libraries, liturgical historians and institutions, Polyhymnia hopes to both preserve and reintroduce choral
masterworks of the Renaissance and early Baroque in ways that both entertain and elucidate. In addition to the concert series, the ensemble’s unique relationship with Saint Ignatius of Antioch, a forerunner in the preservation of historical liturgy, provides opportunities to perform Renaissance and Baroque music in a liturgical context, while fostering musical artistry and scholarship in these interdependent disciplines.
Since its formation in 1994, Polyhymnia has amassed a vast repertoire performed in both traditional concerts as well as historical liturgical reconstructions. Mr. Bradley has reconstructed several liturgies, from Seville, Imperial Germany and Tudor England, which have included works by both well known composers like Lassus and Palestrina, and a wide array of unjustly neglected composers including Aston, Clemens non Papa, Crecquillon, de Rore, Fayrfax, Gombert, Porta, Vaet and Willaert.
This concert is made possible in part with public funds from the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs and from the Fund for Creative Communities, supported by the New York State Council on the Arts. Both programs are administered by the Lower Manhattan Cultural Council.
For more information, please visit: www.polyhymnia-nyc.org